We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Red Kites ower Butcher Hill

by Platitude Queen

/
  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
    Purchasable with gift card

      name your price

     

1.
2.
~~~~~~~~~~ Off out fetching eggs for making wor mam-in-law’s weekday tea. Corvids race in all directions, shadows spilling over me. Spen Lane’s chickens in their hutch are feeling such a great unease. Eyes meet eyes that grow on shapes that swiftly empty great hornbeams. Red kites ower Butcher Hill. A wind whips cold and fair backendish 'cross the field to the dogwood. And I know that they would be here with us if they only could. Caked in plother, hands together, necks bent, rent skyward and clear. All I’ll ask is that you’ll not let me come back another year. Red kites ower Butcher Hill. Something great to talk about with people that you’d never met. Such fearful things as this could drown in oceans of regret. Sometimes his friends and family come ower to help him out. These are the only times he ever gets to leave the house. Red kites ower Butcher Hill. ~~~~~~~~~~
3.
~~~~~~~~~~ In the morning they boarded their coaches. Blacker than pitch were their shirts. They stopped at Victoria Bridge. Ever, their hearts filled with dirt. A mistake to try to exploit, The poor and the disenfranchised. To spread like disease their venom. Resistance will fall from the skies. Taking the form of bricks and of stones. A town’s rectitude laid ahead. You are not welcome in this place. Don’t stop ‘til the fascists are dead. When people face destitution, The vultures descend and deceive. But these people shall overcome. These vultures will be made to bleed. Whenever a darkness here moves, The light of the people will shine. Whenever malevolence spreads, The ropes of the people will bind. Taking the form of sticks and of blades. A town’s resolution is led. You are not welcome anyplace. Don’t stop ‘til the fascists are dead. Herded into Silver Street, The caitiffs, poltroons, and the curs. Look upon this virtuous town, For it is malice that they do inter. And they don’t cease until it’s gone, ‘Til it’s blinded and broken and bled. In times like these, we must ensure, We don’t stop ‘til the fascists are dead. ~~~~~~~~~~
4.
1952 01:41

about

"Red Kites ower Butcher Hill" is a collection of four songs. The title track will appear on the album "Forebears", a series of songs about the hauntology of the folk tradition.

"(Milvus Milvus)" serves as a prelude to the title track. As a moment of quietude, it is the trough in the invariable fluctuation of all things, be it an individual's state of mind, the population of a once critically endangered raptor, the gap between the rich and the poor, or the existence of things. The audio delays and reverberates among haunting tape hiss, in recognition of the wider themes of this collection of songs.

"Red Kites ower Butcher Hill" is ostensibly a song about the conspicuous bird of prey, a now common sight across the UK. Further to this, the song is about the human relationship with the natural world, and the trends and variations this relationship has had across history, and within regional folklore.

"The Battle of Stockton" is a song inspired by my hometown of Stockton-on-Tees, where, in September 1933, the British Union of Fascists attempted to stage a rally to try to exploit the disenfranchised working class. Instead, the fascists were met with violent defiance and were driven from the town. In the political climate of the moment, it feels pertinent to pay homage to history's antifascists.

"1952" is a song about the hauntological ghosts in the North East of England. The traditional view of hauntology (as first proposed by Jacques Derrida) is that the present is haunted by persistent reccurence of concepts and ideas from the past. The discomfort lies in the fact that these concepts, these ghosts, do not properly belong to the past, and the observer who connects with these ghosts is therefore also removed from a common sense view of time. We are therefore forced to remove our expectations of causality and the origins on these concepts, before they “returned” as ghosts.

credits

released June 26, 2020

Music and words by Platitude Queen.

Mixed by J. S. Gordon.

Mastered by Matthew Deamer at Glide Studio in Leeds www.glidestudio.co.uk

Artwork by J. S. Gordon.

license

all rights reserved

tags

about

Platitude Queen Stockton On Tees, UK

Platitude Queen is a folk project by Teesside based musician and certified daft apeth J. S. Gordon (formerly based in Leeds).

contact / help

Contact Platitude Queen

Streaming and
Download help

Report this album or account

If you like Platitude Queen, you may also like: